“地山空間”時(shí)尚集合空間
繪畫(huà)有兩種,一為物質(zhì)的,一為精神的?!刀ㄋ够?/p>
There’re two kinds of paintings. One is material, and the other one spiritual.
—Wassily Kandinsky
由來(lái)|Inspiration
“地山空間”是一個(gè)集合空間品牌,位于上海松江區(qū)。創(chuàng)始人希望空間可以包羅萬(wàn)象:“吃”甜點(diǎn)、“喝”果茶,“玩”游戲,“樂(lè)”空間.(旗下茶飲品牌”蕓茶“) 基地緊鄰曾經(jīng)的“松江府”,所以我們希望運(yùn)用現(xiàn)代手法的同時(shí)不忘傳統(tǒng)。通過(guò)分析,從自然中提取構(gòu)成其形態(tài)的基本幾何形體:矩形、圓形、三角形,來(lái)闡述我們對(duì)于“包羅萬(wàn)象”與“地山空間”的理解。
Located in Songjiang, Shanghai, DISHAN Space is a brand of collective space aimed to provide all sorts of recreational experience, where people meet to nibble snacks, sip fruit tea, play games and have fun . Considering the site is close to Songjiang Court built from Yuan dynasty, we hope to integrate the modern style into the traditional. After careful analysis, we decide to use the basic shapes that constitute nature, that is, rectangle, circle and triangle, to present an all-compassing DISHAN space.
再聲|Reborn
基地旁有一處殘?jiān)珨啾诘睦戏孔?,建于明?guó)前后。散落的青磚、生銹的鐵板、水磨石…材料變的臟亂不堪,卻也訴說(shuō)著什么。 PUJU嘗試將這些材料運(yùn)用在空間。
Across the space, there is a dilapidated old house built around the Ming dynasty. Dark bricks, rusty plaques and glazed stones scatter about and tell a story from the past. PUJU try to use these materials to realize the design on the space.
虛構(gòu)與真實(shí)|Fiction and Reality
Deserted bricks buried in the demolished ruins are reenacted in front of our eyes.
Bridge on Second Floor
木心先生有一個(gè)心愿:有一座自己的美術(shù)館。建筑師岡本博詢問(wèn)木心先生期許。木心喃喃道:“風(fēng)啊、水啊,一頂橋。” 中國(guó)是橋的故鄉(xiāng),PUJU嘗試在這個(gè)空間中,利用天井間的走道形成“橋”。
Mu Xin, a famed Chinese scholar once wished to have a museum of his own. When asked by the architect about his expectations, he said there’d be wind, water and a bridge, which is a symbolic architectural form in China. PUJU attempts to create a bridge shape on the patio, taking advantage of the walk way in between.
俯仰之間|Glimpses from up and down
一層空間|The first floor
在一層中軸形成走道,將功能區(qū)規(guī)劃在兩側(cè),借半高墻體鏈接空間,使空間產(chǎn)生分離又統(tǒng)一的錯(cuò)覺(jué)。二層的黑白配色若代表男性的陽(yáng)剛,一層的粉則是女性的柔美。
With a walkway in the middle, the function areas are arranged on the side, and a half-height wall to link spaces to create an illusion of unity and separation. If the pink shades represent femininity, the dominating black and white matches exactly
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