首頁即時動態(tài) 言樂庭畫卷里的泉聲風韻

言樂庭畫卷里的泉聲風韻

來源：家居百科時間：2020年04月03日 15:09

數(shù)字化時代，人們習慣沉浸于精彩的虛擬世界，而與真實空間的關(guān)系日漸疏遠。受居住空間的限制，公共空間日漸成為生活場所的重要延展，因此公共空間內(nèi)的裝置除藝術(shù)性，還需具備更多的功能，以提升空間的整體氛圍，拉近人與環(huán)境的關(guān)系。

At digital ages, people get used to being immersed in wonderful virtual world while drifting apart from the real life. With the evolved social structure and limited residential space, public space is gradually becoming an extension of personal living space. Therefore, other than artistry, appliances in public space shall possess more functions to improve the atmosphere of public space and improve the relationship between human beings and environment.

蘇州國際設(shè)計周選在有著濃厚人文氣息的桃花塢歷史文化片區(qū)舉辦，旨在借由一年一度的文化活動，呼吁和吸引大眾關(guān)注文化設(shè)計，同時帶動此地的文化商業(yè)發(fā)展。

The venue for Suzhou International Design Week is Tang Yin Former Residence District which has an atmosphere of humanism. With this activity, the public can be appealed and attracted to culture design. Meanwhile local cultural business development can be driven.

文化片區(qū)內(nèi)包含唐寅故居，隨處可見的水景庭院凸顯了此處的人文氣息。SODA建筑師事務(wù)所以蘇州折扇作為靈感來源，借用扇子的結(jié)構(gòu)方式和宣紙質(zhì)感的材料在水塘中打造出沉浸式的扇形裝置。扇面運用宣紙質(zhì)感的創(chuàng)新材料制作而成，由中軸向兩端展開垂向水面，打破對原建筑內(nèi)水景的觀看方式，用當代的設(shè)計講述蘇州傳統(tǒng)的文化故事。

In the Tang Yin district, waterscape courtyard that can be seen everywhere shows humanism of this place. Design concept of SODA was bases on famous Suzhou folding fan. Inspired by layered structure of folding fan and texture of Xuan paper, an immersive fan-shaped fitting was created. When the fan is opened, it will be vertical to water surface to divide spaces, which has broken the observation styles of waterscape in original buildings.

扇形裝置借唐寅《看泉聽風圖》的意境取名“言樂庭”（whisper of wind），進入裝置，觀者便可在風聲泉景中體驗當代設(shè)計與蘇州歷史氣息碰撞出的契合感。

Fan-shaped fitting was inspired by the artistic conception of Tang Yin Drawing in Viewing Sight of Spring and Listening to Wind to be entitled as “whisper of wind”. Entering into the fitting, observers can experience both modern design in wind whisper and historical atmosphere of humanism in Suzhou.

言樂庭通體為純凈的白色，水面上的廊橋消隱在建筑的入口處，含蓄的傳達出將要進入另一個場所的訊息。俯瞰空間，高低錯落的大小扇面將水池包裹住，扇面被分解成一條條懸掛的畫卷，從高空垂入水池。

The whole body of whisper of wind is pure white. Gallery bridge on the water fades away at the entrance of building, which implicitly expresses the information of entering another place. By overlooking the space, picturesque disordered fans cover the water pool, and the fan surface is broken up into strips of hanged picture scroll drooping into the water pool from high altitude.

撒開的扇面和垂掛的畫卷均選用有宣紙質(zhì)感的Tyvek?作為主要材質(zhì)，Tyvek?的清透感和高反射率能將日光柔和的投射到地面上，形成斑駁的影像。

Both opened fans and vertically hanged picture scroll select the Tyvek? as the main materials. The crystal feeling and high reflectance of Tyvek? can project the sunlight softly on the ground and form mottled images. When people are walking through the picture, their shadows are also projected into the picture scroll to become a part of the scene.

垂掛的畫卷上，唐寅的《桃花庵歌》雕刻而成的山水畫面勾勒出《煙波浩渺圖卷》（局部），清淺的水面映出山水的倒影，穿行于畫中，觀者的身影也被投入畫卷，融為景致的一部分。

On the vertically hanged picture scroll, the Song of Peach Blossom Nunnery by Tang becomes an undulate landscape scene, which is demonstrated by laser cutting. Pure and shallow water reflects inverted image of landscape and extends into blurry virtual images.

扇頭部分是言樂庭的核心區(qū)域，也是舉辦室內(nèi)活動的主要場所，設(shè)計師充分利用觀者的視線，用垂掛的畫卷分割出休憩、觀賞、活動的空間，仿照園林的“移步換景”，使觀者在半開放、半私密的環(huán)境中穿行。

Tip of the fan is the core district of whisper of wind, and also the main place for indoor activities. By drawing observers’ visual attentions, designer cuts out the space into three sections of rest, view and activity spaces with vertically hanged picture scrolls. By imitating the “one step up makes a difference view” of botanical garden, this area enables observers to wander in the semi-open and semi-secret environment.

扇面庭院以開放的姿態(tài)模糊了實體墻面的邊界感，風吹畫卷發(fā)出的聲響、朦朧的光影與水中倒影，讓臨時性空間成為人與環(huán)境的“中介” ，用藝術(shù)觀感使功能空間融入到舊有的、有人文氣質(zhì)的場域內(nèi)。通過現(xiàn)代的設(shè)計語言幫助觀者進入另一個場所，體驗“看泉聽風”的愉悅氛圍。

An open designed courtyard on the fans blurs the boundary feeling of entity walls. Sounds of wind blowing picture scroll, hazy shadow and inverted image in water make temporary space the “intermediary agent” between people and environment, using of artistic perception to blend functional space into humanistic temperament field. Through modern design language, it helps observers to enter another place and experience a relaxing atmosphere of “viewing spring and listening to wind”.